Sunday, 20 May 2012

Off by Heart: Shakespeare, BBC Two, review

Off by Heart: Shakespeare, BBC Two, review

James Walton reviews Off by Heart: Shakespeare, a BBC Two documentary following a contest in which schoolchildren are urged to embrace the words of the Bard.

3.5 out of 5 stars
Budding thesp: Ben Crick, one of the finalists in BBC Two’s ‘Off by Heart: Shakespeare’
Budding thesp: Ben Crick, one of the finalists in BBC Two’s ‘Off by Heart: Shakespeare’ Photo: BBC

Saturday’s Off by Heart: Shakespeare (BBC Two) was a programme designed to reassure the middle-aged — or as presenter Jeremy Paxman put it, with his usual indifference to the common touch, “The X Factor for people with brains”.
Two thousand young teenagers had originally taken part: all following the dream of winning a small plastic star for the best performance of a Shakespearean speech. But the programme’s high-mindedness (or possibly just kindliness) meant that we were spared the early rounds. Instead, we picked up the story with the nine finalists preparing to appear at the Royal Shakespeare Theatre, Stratford.
In the days beforehand, a range of experts gave them assistance of perhaps varying value. The chief acting coach was director Justin Audibert, who according to 15-year-old Femi Akinfolarin, “is helping me to understand why Shakespeare was invented”. (A remark, I would suggest, that’s a lot more profound than it might sound.) Less obviously helpful was Struan Leslie, the Royal Shakespeare Company’s “Head of Movement”, whose advice proved as baffling as his job title. “You have to think,” he told them, “about making three-dimensional space.”
As for the programme makers, they were clearly never quite sure how far to go down the traditional talent-show route. Come the big day, the judges entered to the usual wild applause – but consisted of Imogen Stubbs, Samuel West and Simon Schama, and did their judging off-stage. We were also told in passing about the tragedies that some contestants had suffered – but none was developed into anything so vulgar as a tear-jerking back-story.
In the end, then, what really made the show work was the contestants themselves. They were, of course, a carefully mixed bunch. But all were bursting with enthusiasm, and all combined the courage to do something that would terrify most grown-ups with a touching willingness to admit how nervous they felt.


True, a few did overact in the final – some almost heroically. One or two tested the judges’ obvious commitment to accentuating the positive. (“Wonderfully watchable, with a marvellous energy,” was Imogen Stubbs’s verdict on Femi, “although if I was being honest, I couldn’t hear everything he said.”) Most, however, were genuinely stirring, performing with an intelligence and passion that reduced even Jeremy Paxman to a state that could only be described as avuncular.
Personally I had a soft spot for Jack Gouldbourne, a young-looking 13 year-old who cheerfully described himself as “an odd child” and gave us an exhilaratingly vivid prologue to Henry V. Even so, it was hard to argue with the choice of winner – not least because she was worthy of a documentary in herself. Nuha Bazeer is a self-effacing but very clever Muslim girl whose Sri Lankan father introduced her to Shakespeare. He doesn’t mind her doing drama as a hobby but, he pointed out with a firm smile, “As far as our culture and religion are concerned, we are not keen on acting as a profession.”
After Nuha won, her father beamed with unmistakable pride. It was less easy to read his thoughts when Samuel West repeatedly urged him to let her become a full-time actress.

The Telegraph

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